M a n d a l a s     

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     Information for collectors

     1/35                                                                     SKY FIELD                                                                    40" x 40"            

                                                         


                                                                  
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             Ltd.  Edition of       1/35                                                              EGG  FIELD                                                     40" x 60"

               


                           Ltd.  Edition of       1/35                                    UNTITLED                                           40" x 40"

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                Information for collectors

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LIMITED EDITION ARCHIVAL PRINTS

The images are Archival Giclee´ prints made on acid free fine
 art paper printed with long lasting pigment inks.
Each one is signed and numbered by the artist in his studio.
Editions range from 15   to 48,  and are marked as such.
The limited edition prints come  in various standard sizes,
 40" x 40", 40" x 60" and larger. 


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THE ORIGONAL FINE ART MINIATURES

Each Museum Quality Small Works Watercolor pAINTING is individually
 signed by the artist and is made with archival 100% acid free paper.

LIMITED EDITIONS OF
 The Small Works Watercolor Reproductions measure 6" x 6" inches & up.
        Printed with long lasting inksThe Small Works reproductions places
original fine art within the reach of new collectors.



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FINE ART MINIATURES
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Mandalas 2 Watercolor on clay stock  

My watercolor Mandalas are abstract precision water colors on high gloss clay coated cover stock they were called Mandalas by my dealer Alan Stone they were small like Persian Miniatures with super precise multi lines of color in geometric pasterns most of the works were under 10 "x 10". There SNALL SIZE was a joke around the gallery because ?' "Visitors to the exhibitions would ask me "Why don’t you show the actual paintings ? & "What size is the original "They most likely mistook them for glossy color photos of much bigger paintings and I guess they sort of resented the small scale. 


The paintings were a collection of the bright residue of watercolors pigments and structured mono-print transparencie that was a result of the scale of the wet INTO WET wash effect overlaid in transparent layers on a porcelain white substrate of  high gloss clay coated cover stock PIGMENTS which otherwise looked dull on textured watercolor paper, I made thousands of paintings.  STARTING WITH "TARGET Mandalas" PUBLISHED BY MoMA...