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The Collector (Documentary)By JOE LEYDON
Watching Olympia Stone's affectionate and intelligent bio-docu about her father -- New York-based art dealer and collector Allan Stone --is a pleasant experience, one roughly akin to viewing a casual
acquaintance's unexpectedly witty homemovies. Provided, of course, said acquaintance is the child
of a charismatic eccentric who was a friend and champion of such artists as Willem de Kooning and
John Chamberlain. Just the right length at a smidge over one hour, "The Collector" will play best on
homevid, and may sell exceptionally well in museum gift shops.
From the early 1950s, the elder Stone used his Manhattan gallery to showcase a roster of favorite
artists (ranging from abstract expressionist Franz Kline to photorealist Richard Estes) while filling
his sprawling Westchester home with an eclectic multitude of paintings, sculptures, kitschy knick-knacks
and tribal totems. (His second wife, Clare, and their daughters, including Olympia, recall having to
constantly forge new paths through the ever-expanding clutter.)
A self-described "obsessive" when it came to acquiring art in massive quantities, Allan Stone took as
much pleasure in discovering and promoting artists whose works had been repeatedly rejected before
they appeared at his gallery.
Only half-jokingly, he claims an infallible instinct for knowing instinctively which artworks "cut the
mustard." One of the pic's most amusing and illuminating sequences details how, at a time when
Wayne Thiebaud couldn't generate interest elsewhere, the artist found a receptive audience for his
deceptively simple paintings of cakes and pies at the Stone gallery.
As Olympia Stone fashions an intimate portrait from archival material and talking-heads interviews --
including several conversations with her gregarious dad, who died last December shortly after the
pic wrapped --"The Collector" sustains a tone of bemused admiration neatly complemented by
Jason Graves' jaunty, jazz-flavored score.
"The art experience for me is a narcotic," Allan tells Olympia at one point. "The Collector" suggests
that he never tired of seeking new highs.
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Camera (color/B&W, DV), Daniel Miller, Lloyd Fales, Stone, Daniel Aklba, Vladimir Minuty;
music, Jason Graves; sound, Miller, Ray Day. Reviewed on DVD, Houston, April 18, 2007.
Running time: 62 MIN.
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http://www.variety.com/review/VE1117933415.html?categoryid=31&cs=1
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Charles Mingus III
Paintings, Installations, Sculptures, Computer Generated Images
